Lillian Schwartz Filmes

Mathematical functions are the basis for a science film on contour plots and an art film. Both are shown simultaneously at a two screen production...

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

An illusion of 3 dimensions is achieved by a blending of mathematics and physics to carry the spectator through a new range of audio and visual...

“Apotheosis, which is developed from images made in the radiation treatment of human cancer, is the most beautiful and the most subtly textured...

“Lines and rectangles are the geometric shapes basic to ENIGMA, a computer graphics film full of subliminal and persistent image effects. In a...

A single bird in flight is transformed, enhanced and interpreted so as to present a unique visual experience. From its original inception in a 128...

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

This film is strongly rooted in its underlying mathematical structure which forms the basis for the images. The music by Jean Claude Risset is...

Over two hours of rare performances, interviews, animations, and experimental video. Milton Babbit’s discussion of the difficulties of working...

Escher-like images stepping through the frames to the music of a jazz group. Delightful–shows a depth in the imagery not accomplished by...

“Schwartz’ METAMORPHOSIS is a complex study of evolving lines, planes, and circles, all moving at different speeds, and resulting in...

A colorful collage, with a subtle ecology theme, made largely from footage from trial runs of programs used for many of the other films.

A 4 minute film based on flowing changing images from liquid-like faces to flashing abstract imagery.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

A swift moving assortment of moving images. Filmed from a color TV monitor that was computer controlled.

Music “Canzoni per sonar a quattro” by Giovanni Gabrieli, performed by Elizabeth Cohen, Max Mathews, and Gerard Schwarz. Images generated...

Abstract images of frame-by-frame animation with subtle growing effects of crystals are enhanced by polarized colors.

A playful concoction of computer produced images, a few hand-animated scenes and shots of lab equipment. Made largely from left-overs from scientific...

Musicians and dancer perform in real-time while Schwartz plays a computer-keyboard to create special effects on a computer-controlled video-visual...